{"id":6365,"date":"2016-03-14T15:10:26","date_gmt":"2016-03-14T15:10:26","guid":{"rendered":"http:\/\/teatrodovestido.org\/?p=6365"},"modified":"2016-04-06T05:12:24","modified_gmt":"2016-04-06T04:12:24","slug":"viajantes-solitarios-3","status":"publish","type":"post","link":"http:\/\/teatrodovestido.org\/blog\/?p=6365","title":{"rendered":"VIAJANTES SOLIT\u00c1RIOS"},"content":{"rendered":"
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\"Viajantes<\/a><\/p>\n

<\/h3>\n

16 a 18 de Mar\u00e7o, \u00e0s 21h30 \/\/ 19 de Mar\u00e7o, \u00e0s 19h | Teatro Rivoli<\/span><\/strong><\/h3>\n

Em que pensam os camionistas durante todos os quil\u00f3metros que percorrem? O que acontece com estes homens durante estas viagens? Que viajantes s\u00e3o estes e como mitigam a sua solid\u00e3o? Se tivessem que parar de meter-se \u00e0 estrada, aguentariam? E as mulheres \u2013 h\u00e1 lugar para elas nestas hist\u00f3rias? Constru\u00eddo a partir de uma extensiva recolha de hist\u00f3rias de vida e de ‘estrada’ de camionistas, este espect\u00e1culo do Teatro do Vestido explora as possibilidades po\u00e9ticas dessas vidas de permanente desloca\u00e7\u00e3o, vidas tamb\u00e9m de quil\u00f3metros de solid\u00e3o, de dist\u00e2ncia f\u00edsica das fam\u00edlias, de passagens, de noites fugazes, de um conhecimento geogr\u00e1fico de auto-estradas, estradas nacionais, restaurantes de beira de estrada, hot\u00e9is.<\/p>\n

Um espect\u00e1culo que \u00e9 uma esp\u00e9cie de manual de um viajante singular, ao mesmo tempo que falando dessa inquieta\u00e7\u00e3o portuguesa que bem conhecemos – a de\u00a0partir<\/strong>; e, estando l\u00e1 fora, a vontade de regressar, para de novo partir, impelidos por essa coisa que nos puxa a percorrer quil\u00f3metros, ap\u00f3s quil\u00f3metros, ap\u00f3s quil\u00f3metros, continuamente.<\/p>\n

Este espect\u00e1culo \u00e9 um desafio do Teatro Viriato e da Empresa Patinter ao Teatro do Vestido, reconhecendo o trabalho \u00edmpar que este colectivo tem vindo a desenvolver a partir da recolha de testemunhos e hist\u00f3rias de vida.<\/p>\n

 <\/p>\n

Texto e direc\u00e7\u00e3o:\u00a0<\/strong>Joana Craveiro
\nInterpreta\u00e7\u00e3o:<\/strong>\u00a0Est\u00eav\u00e3o Antunes e Simon Frankel
\nM\u00fasica original:\u00a0<\/strong>Bruno Pinto
\nDesenho de luz:<\/strong>\u00a0Pedro Teixeira
\nOpera\u00e7\u00e3o t\u00e9cnica:<\/strong>\u00a0Carlos Ramos
\nProdu\u00e7\u00e3o:<\/strong>\u00a0Cl\u00e1udia Teixeira
\nCo-produ\u00e7\u00e3o:\u00a0<\/strong>Teatro do Vestido, Teatro Viriato, Centro de Artes de Ovar, Teatro Municipal do Porto – Rivoli, Teatro Nacional D. Maria II
\nMecenas do projecto:<\/strong>\u00a0Patinter, SA<\/p>\n

Viajantes\u00a0Solit\u00e1rios<\/em>\u00a0\u00e9 uma cria\u00e7\u00e3o do Teatro do Vestido, a partir de uma ideia do Teatro Viriato e Patinter, SA<\/p>\n

80 minutos \/\/ M12<\/p>\n

 <\/p>\n

Viajantes Solit\u00e1rios | Digress\u00e3o<\/strong><\/span><\/p>\n

Teatro Nacional D. Maria II<\/strong>
\n16 a 26 de Junho 2016<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In wished to set up french blue 12s pre order of his stay in french blue 12s sizes Wizard, his Jordan put more emphases on steadiness and defense which moreover echoed in Air Jordan Group. Though Miller have not accomplished … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6365","post","type-post","status-publish","format-standard","hentry","category-tdv"],"_links":{"self":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6365"}],"collection":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6365"}],"version-history":[{"count":5,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6365\/revisions"}],"predecessor-version":[{"id":6474,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6365\/revisions\/6474"}],"wp:attachment":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6365"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}