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It is <a href=\"http:\/\/www.istaonline.org\/jordan-retro-11s-72-10.html\">72-10 11s<\/a> especially <a href=\"http:\/\/www.seminariumcertificacion.com\/air-jordan-release-dates.htm\">www.seminariumcertificacion.com\/air-jordan-release-dates.htm<\/a> important to create <a href=\"http:\/\/www.seminariumcertificacion.com\/new-air-jordan-11s.html\">72 10 11s on feet<\/a> right <a href=\"http:\/\/tedxportofspain.com\/72-10-11s-jordans-for-sale.html\">72-10 11s<\/a> option. <a href=\"http:\/\/www.cltv8.com\/pre-order-72-10-11s.html\">72-10 11s<\/a> These temporary time difference and <a href=\"http:\/\/www.villageseedsolutions.com\/pre-order-jordan-11-72-10.php\">72-10 11s<\/a> space difference are useful <a href=\"http:\/\/aqcinc.calls.net\/shop-72-10-11s-for-sale.php\">jordan 11 72-10<\/a> for <a href=\"http:\/\/aqcinc.calls.net\/pre-order-72-10-11s.html\">jordan 11 72-10<\/a> their take shots.\n<\/div>\n<h6 style=\"text-align: right;\"><a href=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/12\/Labor2_Teatro-do-Vestido_\u00a9Jo\u00e3o-Tuna_002.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5962 size-large\" src=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/12\/Labor2_Teatro-do-Vestido_\u00a9Jo\u00e3o-Tuna_002-1024x682.jpeg\" alt=\"Labor#2_Teatro do Vestido_\u00a9Jo\u00e3o Tuna_002\" width=\"640\" height=\"426\" srcset=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/12\/Labor2_Teatro-do-Vestido_\u00a9Jo\u00e3o-Tuna_002-1024x682.jpeg 1024w, http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/12\/Labor2_Teatro-do-Vestido_\u00a9Jo\u00e3o-Tuna_002-300x200.jpeg 300w, http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/12\/Labor2_Teatro-do-Vestido_\u00a9Jo\u00e3o-Tuna_002-500x333.jpeg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a>\u00a9Jo\u00e3o Tuna<\/h6>\n<h3><\/h3>\n<h3><strong>11 e 12 \u00a0Dez | 21h30 | Vale de Santar\u00e9m (Fonte das Tr\u00eas Bicas)<\/strong><\/h3>\n<p style=\"text-align: justify;\">Labor #2 faz parte de um projecto teatral do Teatro do Vestido em v\u00e1rias partes sobre a hist\u00f3ria, fun\u00e7\u00e3o e contradi\u00e7\u00f5es do trabalho. O trabalho \u201cedifica,\u201d \u201cliberta,\u201d \u201cconfere dignidade,\u201d \u201cidentidade\u201d \u2013 dizem-nos, e desde cedo come\u00e7\u00e1mos a pensar no que \u2018quer\u00edamos ser\u2019, ou \u2018aquilo em que quer\u00edamos trabalhar.\u2019 A sociedade moderna, como a conhecemos, organizou-se e organiza-se em fun\u00e7\u00e3o do trabalho. Mas mudan\u00e7as subtis tomaram conta da realidade desta sociedade moderna na qual crescemos, e t\u00eam vindo a operar uma transforma\u00e7\u00e3o no lugar central que o trabalho ocupava at\u00e9 agora. O desemprego galopante &#8211; e por vezes escondido por estat\u00edsticas enganadoras que contabilizam trabalho prec\u00e1rio e est\u00e1gios profissionais como se de emprego real se tratasse &#8211; o esvaziamento dos sindicatos, as quest\u00f5es da contrata\u00e7\u00e3o colectiva, os pol\u00e9micos acordos da concerta\u00e7\u00e3o social, as sucessivas greves \u2013 tudo isto nos levou a sair da sala de ensaio para as ruas de algumas cidades a ver o que resta, ent\u00e3o, do trabalho \u2013 e que lugar \u00e9 que este ocupa ainda hoje na nossa sociedade. Em Labor #2, investigamos realidades laborais particulares dos concelhos do Barreiro, Sesimbra, Abrantes e Santar\u00e9m. Movemo-nos no meio das pessoas, das suas hist\u00f3rias de vida, por entre as ru\u00ednas de f\u00e1bricas, salinas, barcos, e as mem\u00f3rias da resist\u00eancia anti-fascista e de um tempo \u2013 o da revolu\u00e7\u00e3o \u2013 em que tudo estava por inventar. Constru\u00edmos assim uma esp\u00e9cie de teatro documental, o tipo de teatro capaz de expor a realidade nas suas m\u00faltiplas facetas, deixando ao espectador a reflex\u00e3o poss\u00edvel a realizar. O Teatro do Vestido prossegue com este projecto a sua tentativa de compreens\u00e3o do presente atrav\u00e9s de uma convoca\u00e7\u00e3o da hist\u00f3ria de Portugal, nomeadamente, fragmentos de uma hist\u00f3ria que considera \u2018invis\u00edvel\u2019 e esquecida. Labor #1 estreou em Julho de 2013 no Teatro Municipal Maria Matos, em Lisboa.<\/p>\n<p><strong>Direc\u00e7\u00e3o e texto:<\/strong>\u00a0Joana Craveiro<br \/>\n<strong>Interpreta\u00e7\u00e3o e co-cria\u00e7\u00e3o:<\/strong>\u00a0Est\u00eav\u00e3o Antunes, Gustavo Vicente, Rosinda Costa e T\u00e2nia Guerreiro<br \/>\n<strong>Figurinos:<\/strong>\u00a0Ainhoa Vidal<br \/>\n<strong>Direc\u00e7\u00e3o t\u00e9cnica \/ desenho de luz:<\/strong>\u00a0Carlos Ramos<br \/>\n<strong>T\u00e9cnico \/ assist\u00eancia de luz:<\/strong>\u00a0Jos\u00e9 Pedro Sousa<br \/>\n<strong>Produ\u00e7\u00e3o:<\/strong>\u00a0Cl\u00e1udia Teixeira<br \/>\n<strong>Assistentes de produ\u00e7\u00e3o:\u00a0<\/strong>Armando Valente<br \/>\n<strong>Co-produ\u00e7\u00e3o:<\/strong>\u00a0Teatro do Vestido e Artemrede<br \/>\n<strong>Apoio:<\/strong>\u00a0Bricoloja &#8211; Rog\u00e9rio Paix\u00e3o Lda, Dupla Cena,\u00a0Junta de Freguesia de Vale de Santar\u00e9m, Rancho Folcl\u00f3rico de Vale de Santar\u00e9m<\/p>\n<p>Dura\u00e7\u00e3o: 2h aprox.<br \/>\nM\/12<\/p>\n<p><strong>RESERVAS<\/strong><br \/>\nTeatro S\u00e1 da Bandeira: 243 309 460<br \/>\nJunta de Freguesia de Vale de Santar\u00e9m:\u00a0243 769 614<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><span style=\"color: #808080;\">O Teatro do Vestido \u00e9 uma estrutura financiada pelo Governo de Portugal \/ Secret\u00e1rio de Estado da Cultura \/ Direc\u00e7\u00e3o Geral das Artes\u00a0<\/span><\/h4>\n<p style=\"text-align: left;\"><a href=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/dgartes_logo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5461 \" src=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/dgartes_logo-300x83.jpg\" alt=\"dgartes_logo\" width=\"264\" height=\"73\" srcset=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/dgartes_logo-300x83.jpg 300w, http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/dgartes_logo-1024x284.jpg 1024w, http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/dgartes_logo-500x138.jpg 500w, http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/dgartes_logo.jpg 1770w\" sizes=\"(max-width: 264px) 100vw, 264px\" \/><\/a><a href=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/Governo-de-Portugal_Secret\u00e1rios-de-Estado-da-Cultura_logo-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-5460\" src=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/Governo-de-Portugal_Secret\u00e1rios-de-Estado-da-Cultura_logo-copy-300x87.jpg\" alt=\"Print_OG_SEC_4C_H_FC\" width=\"241\" height=\"70\" srcset=\"http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/Governo-de-Portugal_Secret\u00e1rios-de-Estado-da-Cultura_logo-copy-300x87.jpg 300w, http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/Governo-de-Portugal_Secret\u00e1rios-de-Estado-da-Cultura_logo-copy-1024x299.jpg 1024w, http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/Governo-de-Portugal_Secret\u00e1rios-de-Estado-da-Cultura_logo-copy-500x146.jpg 500w, http:\/\/teatrodovestido.org\/blog\/wp-content\/uploads\/2015\/04\/Governo-de-Portugal_Secret\u00e1rios-de-Estado-da-Cultura_logo-copy.jpg 1770w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In wished 72-10 11s to jordan 11 72-10 set pre order 72-10 jordans up 72-10 11s of his air jordan 11s stay in Wizard, his Jordan put 72-10 11s more cheap jordans emphases on jordan 11s steadiness and defense which &hellip; <a href=\"http:\/\/teatrodovestido.org\/blog\/?p=5961\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5961","post","type-post","status-publish","format-standard","hentry","category-tdv"],"_links":{"self":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5961"}],"collection":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5961"}],"version-history":[{"count":10,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5961\/revisions"}],"predecessor-version":[{"id":6013,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5961\/revisions\/6013"}],"wp:attachment":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5961"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}