{"id":4420,"date":"2012-02-24T17:17:52","date_gmt":"2012-02-24T17:17:52","guid":{"rendered":"http:\/\/teatrodovestido.org\/?page_id=4420"},"modified":"2016-03-08T01:44:15","modified_gmt":"2016-03-08T01:44:15","slug":"agora-ja-tinham-passado-dez-anos-e-nem-sombra-deles-em-lado-algum","status":"publish","type":"page","link":"http:\/\/teatrodovestido.org\/blog\/?page_id=4420","title":{"rendered":"[agora j\u00e1 tinham passado dez anos e] nem sombra deles em lado algum"},"content":{"rendered":"
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Estreia ZDB Neg\u00f3cio, Lisboa | 6 a 12 de Outubro
\nDesenvolvido em Colabora\u00e7\u00e3o, com direc\u00e7\u00e3o de Joana Craveiro e interpreta\u00e7\u00e3o de Gon\u00e7alo Alegria, Joana Craveiro, Pedro Caeiro, Rosinda Costa, Simon Frankel, T\u00e2nia Guerreiro.<\/p>\n

Em 2001 o Teatro do Vestido apresentou na Galeria Z\u00e9 dos Bois\u00a0<\/em>Tua,<\/em>\u00a0a sua primeira cria\u00e7\u00e3o<\/em>.\u00a0<\/em>Em Outubro,\u00a0<\/em>retornou \u00e0 ZDB, no NEG\u00d3CIO, celebrando e confrontando uma d\u00e9cada. Este anivers\u00e1rio \u00e9 ocasi\u00e3o para, com ele, tamb\u00e9m o p\u00fablico e a ZDB reflectir, conjecturar e festejar.<\/p>\n

\u2018isto<\/strong>\u00a0n\u00e3o \u00e9 um objecto nost\u00e1lgico
\nisto<\/strong>\u00a0n\u00e3o \u00e9 uma reconstitui\u00e7\u00e3o
\nisto<\/strong>\u00a0n\u00e3o \u00e9 um trabalho de arquivo
\nisto<\/strong>\u00a0n\u00e3o \u00e9 uma reinven\u00e7\u00e3o
\nisto<\/strong>\u00a0se calhar n\u00e3o \u00e9 o que parece
\nisto<\/strong>\u00a0se calhar afinal \u00e9 todas as coisas que diz n\u00e3o ser<\/p>\n

\u00e9 uma esp\u00e9cie de celebra\u00e7\u00e3o, mas mais do presente do que do passado. \u00c9 que de facto passaram dez anos e n\u00f3s, perplexos, decidimos come\u00e7ar a falar sobre isso.
\ncomo \u00e9 que se comemora e reflecte acerca de 10 anos de trabalho de uma companhia? Com esta premissa, o Teatro do Vestido lan\u00e7a-se aos seus arquivos, dossiers, textos n\u00e3o editados, e as mem\u00f3rias de cada um, n\u00e3o exactamente para recontar ou reconstituir uma hist\u00f3ria, ou para chapinhar na nostalgia, mas para construir um novo objecto performativo e assim o passado deixar de ser uma coisa obsoleta para passar a ser algo com que se constr\u00f3i o futuro.<\/p>\n

Ao escrever sobre a sua performance\u00a0A Decade of Forced Entertainment<\/em>, a companhia Forced Entertainment dizia: \u201cpart autobiographical, part archive, part historical meditation and part theoretical speculation\u201d.
\nSem querermos copi\u00e1-los, ainda assim dizemos: o mesmo.
\nDesde o in\u00edcio da companhia que quer\u00edamos comemorar os dez anos dela. E este ano vamos finalmente conseguir.<\/p>\n

Este \u00e9 um objecto performativo circunstancial, ef\u00e9mero e \u00fanico, que reflecte o nosso percurso de 10 anos enquanto companhia de pesquisa e cria\u00e7\u00e3o.<\/p>\n

– pensei: onde \u00e9 que estiveste este tempo todo?<\/em>
\n– tamb\u00e9m j\u00e1 pensei isso uma vez<\/em>
\n– depois pensei que nunca mais ia acabar<\/em>
\n– tamb\u00e9m pensei que nunca mais ia acabar<\/em>
\n– pensei que j\u00e1 passou um ano e parece imposs\u00edvel que tenha aparecido isto<\/em>
\n– pensei se tinha alguma coisa para dizer<\/em>
\n– penso sempre isso<\/em>
\n– pensei: porque \u00e9 que eles continuam a n\u00e3o ter confian\u00e7a no que t\u00eam para dizer?<\/em>
\n(fragmento de uma cena desta pe\u00e7a)\u2019<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

When shampooing hair, the remainder about critical benefits about a strenuous head massage . A scalp restorative massage Master 12s pre order might help The Master 12s stimulate blood flow and inspire hair emergence. Massage therapy the head with the … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3717,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4420","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages\/4420"}],"collection":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4420"}],"version-history":[{"count":4,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages\/4420\/revisions"}],"predecessor-version":[{"id":6351,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages\/4420\/revisions\/6351"}],"up":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages\/3717"}],"wp:attachment":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}