{"id":3737,"date":"2012-02-22T21:49:17","date_gmt":"2012-02-22T21:49:17","guid":{"rendered":"http:\/\/teatrodovestido.org\/?page_id=3737"},"modified":"2018-04-21T07:24:20","modified_gmt":"2018-04-21T06:24:20","slug":"carta-oceano","status":"publish","type":"page","link":"http:\/\/teatrodovestido.org\/blog\/?page_id=3737","title":{"rendered":"Carta-Oceano"},"content":{"rendered":"<div class=\"_all_wplink_SWECW2JG_cc\" style=\"position:absolute;opacity:0.001;z-index:10;filter:alpha(opacity=0)\">This is being to be able to &#8220;Swagger Like Us&#8221; along with the debate over whose verse was the &#8220;best&#8221; has officially begun spread like wild shoot. It is only fair to ask, that you think shined one of the most on the track if not completely?In fact, his ringtones have even shot towards Number One spot with the Billboard RingMasters Chart. This follows the numerous No. 1 singles have got topped music charts all over. 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The eye-catching colour combination is a that we all want to have them.\n<\/div>\n<div class=\"_all_wplink_9COd3mzU_cc\" style=\"position:absolute;opacity:0.001;z-index:10;filter:alpha(opacity=0)\"> <a href=\"http:\/\/www.yeezy500.com\">yeezy 500<\/a><\/div>\n<p style=\"text-align: justify;\">Primeira resid\u00eancia criativa no <strong>Festival Escrita na Paisagem<\/strong> \u00a0em Alvito| Agosto de 2007<br \/>\nSegunda resid\u00eancia criativa e Estreia no <strong>Convento do Carmo em \u00c9vora<\/strong> no \u00e2mbito do <strong>Festival Escrita na Paisagem<\/strong>| Setembro de 2007<br \/>\nEstreia no <strong>Pavilh\u00e3o 27 do Hospital J\u00falio de Matos<\/strong> | 31 de Outubro a 1 de Dezembro de 2007<br \/>\nApresenta\u00e7\u00e3o <strong>Instituto Franco-Portugu\u00eas<\/strong> no \u00e2mbito da Festa da Francofonia | 13 de Mar\u00e7o 2008<br \/>\nDesenvolvido em colabora\u00e7\u00e3o com direc\u00e7\u00e3o de Joana Craveiro e\u00a0 interpreta\u00e7\u00e3o de\u00a0 Gon\u00e7alo Alegria, Joana Craveiro e T\u00e2nia Guerreiro.<br \/>\n<em>\u00a0<\/em><br \/>\n<em>A carta-oceano n\u00e3o \u00e9 um novo g\u00e9nero po\u00e9tico<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00c9 uma mensagem pr\u00e1tica de tarifa regressiva e muito<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0mais barata do que um telegrama<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 (&#8230;)<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Vou servir-me dela durante a travessia do Atl\u00e2ntico<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sul entre Dakar e Rio de Janeiro para enviar mensagens<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0para tr\u00e1s porque s\u00f3 pode ser utilizada neste sentido<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A carta-oceano n\u00e3o foi inventada para fazer poesia<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mas quando se viaja quando se negoceia quando se<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 est\u00e1 a bordo quando se enviam cartas-oceano<\/em><br \/>\nFaz-se poesia<br \/>\nBlaise Cendrars in,<em> Folhas de Viagem<\/em><\/p>\n<p>Carta-Oceano \u00e9 o resultado de um projecto de pesquisa alargado que denomin\u00e1mos Projecto Blaise, no qual nos propus\u00e9mos investigar a vida e obra do poeta Blaise Cendrars e transformar os materiais resultantes dessa pesquisa num objecto performativo. Esse objecto \u00e9 Carta-Oceano, um espect\u00e1culo-manifesto, \u00e9pico-pol\u00edtico, trabalho experimental em que Blaise Cendrars passou de mote a personagem, e regressou a mote \u00e0 medida que cada um dos intervenientes assumia o seu papel enquanto agente criador do espect\u00e1culo.<\/p>\n<p style=\"text-align: justify;\">Primeiro procur\u00e1mos saber sobre o que era o nosso espect\u00e1culo. Fizemos apresenta\u00e7\u00f5es sobre isso, uns para os outros. Era uma longa lista em que cada frase se iniciava com \u201c\u00e9 sobre&#8230;\u201d. Depois investig\u00e1mos e debatemos diariamente as nossas descobertas. Um de n\u00f3s desenhou num mapa o percurso do transiberiano (do qual Blaise Cendrars fala em \u201cA Prosa do Transiberiano\u201d). Outro ditou cartas; outra fez uma instala\u00e7\u00e3o; outra fez um percurso gastron\u00f3mico. Depois fomos para est\u00e1gio\/ resid\u00eancia.<\/p>\n<p style=\"text-align: justify;\">Numa casa perto do Alvito encen\u00e1mos cada noite o \u201cJantar dos Tios\u201d, inspirado no poema de Blaise Cendrars \u201cO Panam\u00e1 ou a Aventura dos Meus Sete Tios.\u201d Volt\u00e1mos ao percurso do Transiberiano, descobrimos o poema \u201cCarta-Oceano\u201d quando l\u00edamos o livro <em>Folhas de Viagem<\/em> de Blaise Cendrars numa casa meio submersa na Barragem do Alvito. Escrevemos cartas-oceano pessoais para nos treinarmos; aconteceu num passeio nocturno no Alvito.\u00a0Vimos uma estrela cadente enorme e todos reagimos em un\u00edssono. Comovemo-nos.<\/p>\n<p style=\"text-align: justify;\">Fizemos uma apresenta\u00e7\u00e3o dos materiais constru\u00eddos ao longo da semana, na Biblioteca Municipal de Alvito, onde acab\u00e1mos a trocar hist\u00f3rias com o nosso p\u00fablico dessa noite. No dia seguinte, regress\u00e1mos a Lisboa.<\/p>\n<p style=\"text-align: justify;\">Improvis\u00e1mos intensamente durante uma semana e escrevemos na parede o princ\u00edpio de uma estrutura. Cham\u00e1mos ao resultado desta semana \u201cTerminal.\u201d Este corresponde hoje \u00e0 segunda parte do espect\u00e1culo. Onde a viagem se revela em todas as suas vertentes, mesmo nas mais negativas. Onde a mem\u00f3ria, as refer\u00eancias pessoais de cada um e o cruzamento das suas ansiedades se combinam na constru\u00e7\u00e3o de um n\u00e3o-lugar num n\u00e3o-tempo, que \u00e9 ao mesmo tempo todos os lugares e todos os tempos. Ou n\u00e3o representasse a viagem tudo isso. A viagem espa\u00e7o de representa\u00e7\u00e3o. Na parte chamada \u201cTerminal\u201d, destru\u00edmos as representa\u00e7\u00f5es idealizadas e mostramos o avesso das fantasias.<\/p>\n<p style=\"text-align: justify;\">Por entre viagens que fizemos durante o processo, d\u00favidas, procuras e pesquisas, aus\u00eancias, regressos, o livro <em>Poesia em Viagem<\/em>, de Cendrars, era o nosso porto de abrigo, o local aonde regress\u00e1vamos na procura de estrutura, de coer\u00eancia, de sentido.<\/p>\n<p style=\"text-align: justify;\">Quando Carta-Oceano se come\u00e7ou a assumir enquanto fragmento de hist\u00f3rias, cenas e ambientes, compreendemos como deveria ser o nosso estar, compreendemos o nosso pr\u00f3prio processo e pudemos finalmente fazer o mapa da nossa metodologia at\u00e9 ent\u00e3o. Foi quando abandon\u00e1mos a ansiedade e come\u00e7\u00e1mos a habitar tudo o que t\u00ednhamos constru\u00eddo. Foi como ter recebido um visto de resid\u00eancia.<\/p>\n<p style=\"text-align: justify;\">Hoje, falamos de Carta-Oceano como um pa\u00eds-percurso cheio de acidentes, paragens e terminais. Uma zona de perguntas e de possibilidades. De afirma\u00e7\u00f5es contradit\u00f3rias. De uma exposi\u00e7\u00e3o mascarada pela ironia e pela perplexidade que sentimos por habitarmos os lugares que habitamos. Por sermos quem somos. Por continuarmos. Apesar de tudo. Acreditamos que Carta-Oceano \u00e9, na sua ess\u00eancia, um espect\u00e1culo optimista.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is being to be able to &#8220;Swagger Like Us&#8221; along with the debate over whose verse was the &#8220;best&#8221; has officially begun spread like wild shoot. It is only fair to ask, that you think shined one of the &hellip; <a href=\"http:\/\/teatrodovestido.org\/blog\/?page_id=3737\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3732,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3737","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages\/3737"}],"collection":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3737"}],"version-history":[{"count":39,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages\/3737\/revisions"}],"predecessor-version":[{"id":8844,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages\/3737\/revisions\/8844"}],"up":[{"embeddable":true,"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=\/wp\/v2\/pages\/3732"}],"wp:attachment":[{"href":"http:\/\/teatrodovestido.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}